The interface is powered by a wall–wart DC adaptor, which is included alongside a USB cable with a removable ferrite core. Chunky rubber feet beneath the case and handy labelling of connections on the top round things off nicely. The unit is nicely weighted, whilst switches and pots feel positive and abundantly hardy in use. The build quality and paint job really do eclipse other interfaces at this price. Just like the more diminutive UR22, the UR44 is packaged in an incredibly sturdy metal case, sporting the ever–popular brushed aluminium and black finish. iOS compatibility is achieved through the use of an appropriate Apple Connection Kit, making it an interesting option for music-making on the iPad.
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The package includes the Yamaha DSP bundle, comprising the REV–X reverb, Sweet Spot Morphing Channel Strip compressor/EQ and the new Guitar Amps Classics amp simulator, plus a basic version of Cubase. When compared to the UR22, the UR44 offers more inputs and outputs (six ins and four outs) plus a flexible low-latency monitoring system with effects. The UR44 is the latest addition to Steinberg’s roster of audio interfaces, providing a definite step up in specification from the small and capable UR22 we looked at in June 2013 (see It features the same Yamaha D–Pre microphone preamps as the rest of the range (which are also found on Yamaha digital mixers) and a maximum sample rate of 192kHz. Could Steinberg’s mid–sized USB audio interface provide the perfect package for the home studio and music on the move?
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